<style>.perfmatters-lazy[data-src]{display:none!important}</style>

Dance style transitions : from dancers’ practice to movement-based technology

Author: Elizabeth Walton

*Wait a few seconds for the document to load, the time may vary depending on your internet connection. If you prefer, you can download the file by clicking on the link below.

Information

Description: Dance style transitions: from dancers’ practice to movement-based technology, is a doctoral thesis exploring the integration of movement-based technology in dance and the design of movement-based interaction.

Subject: Dance

Pages: 160

Megabytes: 2.09 MB

Download

This may interest you

Belly Dance as a Means of Dance Therapy for Survivors of Sexual Assault

Nadia De Leon

Belly Dance as a Means of Dance Therapy for Survivors of Sexual Assault, is a theoretical review and empirical study on the effectiveness of belly dance as a form of therapy for survivors of sexual assault. It explores how belly dance promotes emotional and physical well-being, improves body image and self-esteem, and empowers women.

Aerial Dance: Under the Sea

Miranda Cooper

Aerial Dance: Under the Sea, is a thesis that explores the history, techniques, and development of aerial dance as a form of performance art. It discusses the influence of modern dance and circus arts, interviews with experts, equipment used, and the author's personal experience.

Beyond the Belly: An Appraisal of Middle Eastern Dance (aka Belly Dance) as Leisure

Angela M. Moe

Beyond the Belly: An Appraisal of Middle Eastern Dance (aka Belly Dance) as Leisure is a study that examines the appeal of belly dance as a form of leisure for contemporary women, exploring its gendered nature and potential feminist aspects.

Exploring the abstract language of comtemporary dance in order to create emotional states/nuances

Various aurhors

Exploring the abstract language of contemporary dance in order to create emotional states/nuances, is a research study that investigates how choreographers use the abstract language of contemporary dance to generate recognizable yet ambiguous emotional states in their work.